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Ravensburg Art Museum

Lederer Ragnarsdóttir Oei



Reisch Bau GbR, Bad Saulgau, Germany

Project Status


Year Completed



1,900 sq. meters



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Project Description

To learn from the long tradition of building without falling into historicism is the decisive approach used for the design of the new art museum in Ravensburg. To exhibit the modern art that constitutes the basis of the Peter and Gudrun Selinka Collection, spaces with a strong sense of enclosure have been created, with window openings only at selected locations. The corporeal nature of this architecture is especially apparent in the vaulted brick shells on the upper level.

The architectural insertion on the southern edge of Ravensburg’s old town is only discernable upon second glance. It is an art museum that, through impressive craftsmanlike qualities, familiar materials, beautiful junctures and a well-functioning floor plan, fits harmoniously and unobtrusively into the historical context of the city. This integration is emphasized as an important point of reference for the design. The building is not meant to establish a strong contrast through modernity, but instead to fit harmoniously and self-evidently into a townscape that has developed over centuries.

Upon the very first glance, the new museum appears familiar. The building’s integration into the urban fabric and the materiality of its recycled brickwork are the sources of this ambiguity, which responds to the special qualities of this central location. The simple spatial concept – an entrance court to rectangular and neutral exhibition spaces that are flanked by circulation elements in the middle – is enclosed with an outer shell of recycled bricks. The roof is built as a vaulted structure of brick shells that span the entire width of the space.

The bricks were recovered from a demolished monastery near the Belgian border and through their reuse, point to the central role of sustainability in construction. Why should new materials be produced when we can recycle old ones that have proven themselves over centuries? Old and yet new – even in terms of sustainability, the contrast is clear.

The art museum has been built to passive house standards. The building is supplied with air, heat and cooling only as needed and is designed to reduce its primary energy input to a bare minimum. The overall system is controlled and monitored by a BMS and it is operated and supervised by the energy provider via a control centre. Heat is generated by a gas absorption heat pump. A geothermal probe field serves as the heat source. In the summer, the heat pump works as a chiller. The heating and cooling distribution system supplies the air-conditioning equipment, including downstream zones, as well as the concrete core temperature control.

--via Lederer Ragnarsdottir Oei
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