Mark Lamster remembers Ada Louise Huxtable: her early years as a protégé of Philip Johnson and her rise to patrician status in New York City
Pedro Gadanho's first MoMA show highlights architecture's political side. But, writes Mark Lamster, his attempt to promote curation as the next criticism is hampered by a less than accessible presentation.
Two recent conferences on architecture and urbanism considered the path to the present and the way forward.
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