Launch Slideshow

Art, architecture, and the new gallery

Art, architecture, and the new gallery

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    Iwan Baan.

    Raketenstation Hombroich, with sculptures in foreground by Katsuhito Nishikawa and Oliver Kruse, and Raimund Abraham’s House for Musicians in the background.

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    Iwan Baan

    Future entrance to the Grand Traiano Art Complex in the town of Grottaferrata.

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    Iwan Baan

    Aerial view of Olympic Sculpture Park in Seattle, Washington.

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    Iwan Baan

    Outdoor terrace in the Miguel Rio Branco Pavilion at Inhotim, designed by Arquitetos Associados.

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    Iwan Baan

    Aerial view of Teshima Art Museum.

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    Pablo Lobato.

    Still from Beam Drop Inhotim, a short film directed by Pablo Lobato documenting the installation of the piece by Chris Burden.

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    Johnston Marklee

    Model of the Commercial Building at the Grand Traiano Art Complex.

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    Álvaro Siza

    Sketch by Álvaro Siza Vieira of Siza Pavilion at Raketenstation Hombroich.

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    Taller de Operaciones Ambientales

    Masterplan of the Jardín Botánico de Culiacán showing plant collections and artworks.

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    Weiss/Manfredi

    Sketch of PACCAR Pavilion at Olympic Sculpture Park by Weiss/Manfredi.

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    Stiftung Insel Hombroich.

    Model by Raimund Abraham of the House for Musicians at Raketenstation Hombroich.

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    Instituto Inhotim.

    Model by Arquitetos Associados of the Burle Marx Educational Center at Inhotim.

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    Iwan Baan

    Olympic Sculpture Park from Broad Street, Seattle, showing freight train, bridge and Louise Bourgeois’s Eye Benches (1996-1997).

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    Instituto Inhotim.

    Model by Tatiana Bilbao S.C. of the Educational and Multipurpose Buildings at the Jardín Botánico de Culiacán.

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    Johnston Marklee

    Collage of the Commercial Building at the Grand Traiano Art Complex.

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    Weiss/Manfredi.

    Conceptual model of Olympic Sculpture Park by Weiss/Manfredi.

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    Iwan Baan

    Educational and Multipurpose Building by Tatiana Bilbao

How does architecture—interior and exterior—impact the way art is experienced in a gallery space? White Cube, Green Maze: New Art Landscapes at the Heinz Architectural Center, part of Pittsburgh’s Carnegie Museum of Art, breaks down the monolithic classical design of museums and introduces six spaces from across the globe whose genesis came through collaboration among their patrons, architects, landscape architects, artists, and curators (see the list below). Featuring the work of architectural photographer Iwan Baan, the exhibition examines the range of artistic and architectural approaches to the way artwork is displayed. The exhibit opens Sept. 22 and will showcase site plans and the locations’ historical documentation, presentation models, and original sketches.
The exhibit’s accompanying book includes an introductory essay by Heinz Architectural Center curator Raymund Ryan, and contributions from Brian O’Doherty, author of Inside the White Cube, and landscape writer Marc Treib, as well as photography by Baan. For more information, visit web.cmoa.org.

  • Raketenstation Insel Hombroich, near Neuss, Germany, including built projects by Erwin Heerich, Tadao Ando, Álvaro Siza Vieira, and Raimund Abraham.

  • Benesse Art Site Naoshima, Japan, including built projects by Tadao Ando, Hiroshi Sambuichi, Kazuyo Sejima, and Ryue Nishizawa.

  • Inhotim, near Belo Horizonte, Brazil, inspired by the landscapes of Roberto Burle Marx and including built projects by Arquitetos Associados, Rodrigo Cerviño Lopez, and Rizoma Arquitetura.

  • Jardín Botánico, Culiacán, Mexico, with architectural interventions by Tatiana Bilbao and landscape design by TOA–Taller de Operaciones Ambientales.

  • Grand Traiano Art Complex, Grottaferrata, Italy, with projects in design development by Johnston Marklee and by HHF architects and with landscape design by Topotek1.

  • Olympic Sculpture Park, Seattle, USA, designed by Weiss/Manfredi.