Launch Slideshow

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A century-old former stable gets a radical makeover.

A century-old former stable gets a radical makeover.

  • Richard and Kimberly Miller renovated a former Philadelphia stable into their own residence, pairing salvaged yellow pine with Kalwall on the front elevation.

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    Richard and Kimberly Miller renovated a former Philadelphia stable into their own residence, pairing salvaged yellow pine with Kalwall on the front elevation.

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    Matt Wargo

    Richard and Kimberly Miller renovated a former Philadelphia stable into their own residence, pairing salvaged yellow pine with Kalwall on the front elevation.

  • The Millers reclaimed the pine from the original structure's roof and kept the three existing brick walls.

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    The Millers reclaimed the pine from the original structure's roof and kept the three existing brick walls.

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    RKM Architects

    The Millers reclaimed the pine from the original structure's roof and kept the three existing brick walls.

  • The best pieces of salvaged wood went to furniture and built-ins in the home's main living area.

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    The best pieces of salvaged wood went to furniture and built-ins in the home's main living area.

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    Matt Wargo

    The best pieces of salvaged wood went to furniture and built-ins in the home's main living area.

  • The century-old brick walls enclose the first floor as well as a sunny rear garden.

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    The century-old brick walls enclose the first floor as well as a sunny rear garden.

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    Matt Wargo

    The century-old brick walls enclose the first floor as well as a sunny rear garden.

  • A central shade garden acts as a passive cooling element and a light well for the entire house.

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    A central shade garden acts as a passive cooling element and a light well for the entire house.

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    Matt Wargo

    A central shade garden acts as a passive cooling element and a light well for the entire house.

  • Concrete floors and spare metal detailing highlight the warm hues of a salvaged pine staircase.

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    Concrete floors and spare metal detailing highlight the warm hues of a salvaged pine staircase.

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    Matt Wargo

    Concrete floors and spare metal detailing highlight the warm hues of a salvaged pine staircase.

  • The live-work house also contains studio space for the couple's firm, RKM Architects.

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    The live-work house also contains studio space for the couple's firm, RKM Architects.

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    Matt Wargo

    The live-work house also contains studio space for the couple's firm, RKM Architects.

  • The project's rear elevation.

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    The project's rear elevation.

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    Matt Wargo

    The project's rear elevation.

  • The home's first floor.

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    The home's first floor.

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    RKM Architects

    The home's first floor.

  • The home's second floor.

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    The home's second floor.

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    RKM Architects

    The home's second floor.

  • The home's third floor.

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    The home's third floor.

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    RKM Architects

    The home's third floor.

  • An aerial front drawing of the house.

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    An aerial front drawing of the house.

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    RKM Architects

    An aerial front drawing of the house.

  • An exploded view of the house shows the insertion of new pieces into the old envelope.

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    An exploded view of the house shows the insertion of new pieces into the old envelope.

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    RKM Architects

    An exploded view of the house shows the insertion of new pieces into the old envelope.

  • A section drawing of the house.

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    A section drawing of the house.

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    RKM Architects

    A section drawing of the house.

  • A close-up of the RKM-designed console.

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    A close-up of the RKM-designed console.

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    RKM Architects

    A close-up of the RKM-designed console.

  • RKM preserved the existing triangular windows on the building's rear wall.

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    RKM preserved the existing triangular windows on the building's rear wall.

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    RKM Architects

    RKM preserved the existing triangular windows on the building's rear wall.

 

Adaptive Reuse Case Studies

 

The century-old former stable in Philadelphia's Fishtown neighborhood wasn't much to look at. Its roof buckled, the concrete floor slab was shot, and the existing brick walls needed extensive repairs. But an enterprising architect couple, hoping to design their own house, saw its potential. “We’d been looking at properties all around the city,” says Richard A. Miller, AIA, who runs RKM Architects with his wife, Kimberly I. Miller, AIA. “This one enabled more freedom.”

At 20 feet, the lot was 5 feet wider than most of the other sites on the rowhouse-lined street. The couple wanted enough room for a studio where Richard could work full-time. (Kimberly also serves as the director of planning and design at Drexel University, so she’s less involved in RKM’s day-to-day operations.) And an in-law suite was important to them. “We wanted a bit of overflow space, because our parents are both getting older,” Richard says.

The existing building’s raw materials also attracted the Millers. Many of the yellow pine roof beams were still in good shape. A woodworker friend helped salvage and refinish them, with impressive results. “When the wood went away in the truck, it looked terrible,” Richard says. “When our friend planed it down, I was blown away. You can smell the sap in it.” The best beams went to interior elements that showcase the wood’s tight grain pattern, such as furniture and a finely detailed staircase. The rougher pieces, stained for a more uniform appearance, form an exterior rainscreen. And the couple opted to keep the stable’s three original brick walls, with plenty of repointing and (in some places) steel reinforcement.

The back wall defines a southwest-facing outdoor room that the Millers call the “sun garden.” In the middle of the house lies its counterpart, the 15-foot-square “shade garden,” which serves as a key passive cooling component. The landscaped shade garden contains a small lily pond and light-colored gravel, and receives excellent cross-ventilation. “The idea is to create a microclimate there, based on Mediterranean and Middle Eastern atrium houses,” Richard says. “We open up the doors and windows on the third floor and in the shade garden for a chimney effect.” This time-honored strategy reduces the need for air conditioning. The shade garden also funnels natural light deep into the interiors—a Holy Grail of sorts for an urban residence.

While the Millers preferred a modern house, they didn’t want it to look jarring next to their late 19th-century neighbors. The vertical lines of the reclaimed wood and Kalwall façade emphasize the 3,400-square-foot building’s conforming height, playing down its irregular width. “The main thing that we were trying very hard to do was good design on a relatively tight budget,” Miller says, noting that the project came in at $141 per square foot. “We tried to be respectful to the historic fabric. In a lot of ways, we tried to do as little as possible.”


Construction cost $141 per square foot